Rick Prelinger Seminar Primer

Tuesday December 11, 02012 at the Castro Theater, San Francisco

Guerrilla archivist and “media archaeologist” Rick Prelinger has built his career on uncovering, preserving, and sharing alternative takes on American cultural history. He is the founder of the Prelinger Archives , a massive collection of “ephemeral films”: non-fiction video made for educational, industrial, or promotional purposes. Though these films are typically made for short-term usage with a very specific intent, Prelinger sees in this material a window into “secret histories” and untold perspectives on American life.

“I was amazed by these films’ dual character … How they both recorded appearances and sold persuasion – how to behave, what to buy and do. They showed the way things were and the way things were supposed to be. Quite unlike feature (commercial narrative) films, which tended to have a much more synthetic, artificially-constructed world.” – SF360.org

In 02002, when the collection had amassed upwards of 60,000 films, Prelinger sold the Archives to the Library of Congress. Yet his goal is not just to preserve these films: he seeks to share them with the public, in hopes that these arcane “celluloid fossils” become part of our collective cultural history and seed the growth of new stories.

“Art, culture and science are almost always built upon work that’s come before, and we want to provide access to historical materials so as to enable new authorship.” – aiga.org

Prelinger provides stock footage to filmmakers and companies, but is also dedicated to making his collection freely available in the public domain. To that end, Prelinger opened an “acquisition-friendly” library in San Francisco’s South of Market district in 02004. Open to the public on Wednesdays, it houses a collection of ephemera in both print and video, and encourages creative re-use of the materials in its collection.

Prelinger’s work is available online, as well. He has collaborated with the Internet Archive to provide public access to over 2000 films from his collection. Take a look, for example, at A Trip Down Market Street, filmed from the front of a San Francisco street car, just days before the earthquake of 01906:

Also available is Panorama Ephemera, a feature-length film that Prelinger released in 02004, made with footage from his collection. More recently, he has been working on a series of archival compilation films about San Francisco. Comprising seven annual installments, the Lost Landscapes of San Francisco tell a cultural history of the city through the eyes of home-video makers and ephemeral film footage. In collaboration with The Long Now Foundation, Prelinger has screened installments of the Lost Landscapes at theaters in San Francisco for four consecutive Decembers.

Rick Prelinger shows the 7th installment of his Lost in San Francisco series on December 11th at the Castro Theater in San Francisco. You can reserve tickets, get directions and sign up for the podcast on the Seminar page.

This entry was posted on Tuesday, December 4th, 02012 at 10:21 am and is filed under Events, Seminars.

Terry Hunt & Carl Lipo Seminar Primer

Thursday January 17, 02013 at the Cowell Theater, San Francisco

Archaeologists Terry Hunt and Carl Lipo study cultural evolution and diversity. Their research tries to answer questions about how small communities develop into complex societies, and how cultures change and spread over time. They’ve focused much of their work on the Southern Pacific, a big stretch of ocean, dotted by tiny islands, that poses somewhat of a conundrum to archaeologists and anthropologists: how did human populations ever manage to spread out across these isolated locales?

Easter Island, or Rapa Nui, is a particularly intriguing case. More than 2,000 miles removed from its nearest (inhabited) neighbor, the island is small and relatively poor in natural resources. Nevertheless, Rapa Nui was home – for a while at least – to an industrious society most known for its construction of nearly 900 giant statues, or moai. Scholars and researchers have pored over the mystery of how a small community was able to build such impressive statues, and why the population ultimately perished in the 18th century.

According to conventional theories, the answers to those questions serve as a warning to our modern global population. Many scholars believe that the population depleted what little natural resources their island had in order to satisfy an ever-growing obsession with their society’s statue-building cult, thereby causing their own “ecocide.” In order to move these massive stone figures, people felled the palm trees that were once abundant on the island and turned them into logs. But with the disappearance of these trees, other species quickly went extinct as well. No longer able to sustain itself, Rapa Nui society collapsed into chaos and ultimately perished.

“It seemed obvious to researchers that Rapa Nui was a clear case of human recklessness, over-population, over-exploitation, and cultural collapse. Given contemporary concerns about our own environmental future, Rapa Nui offered the quintessential case of “ecocide,” as Jared Diamond (2005) dubbed it. The case for “ecocide” seemed consistent with some accounts from early European visitors, some of the oral traditions, Heyerdahl’s views of pervasive warfare and cultural replacement, and the emerging palaeo-ecological evidence. Rapa Nui provided a compelling story and environmental message that held relevance in today’s urgent global crisis (e.g. Kirch 1997, 2004).” (Hunt & Lipo 2007:85)

Nevertheless, Lipo and Hunt found reason in the archaeological record to question that theory. They traveled to Easter Island, where they ran a creative, hands-on experiment that put one simple assumption to the test: did the islanders really use logs to move their statues?

“When people are asked, how did your ancestors move the statues, the answer was always, ‘they walked’. … For the Rapa Nui, that was the answer, and … the foreigners asking the question, they thought, ‘oh, well that’s silly, you know, how crazy.’”

Hunt and Lipo built a precise, 15-ton replica of a moai from concrete, and asked a small group of people to see if they could make it “walk”: to move it forward in an upright position, using only ropes. A PBS feature documents their process of trial and error – and eventual success.

By confirming this simple hypothesis – that the Rapa Nui did not need logs to move their moai – Hunt and Lipo are able to offer a new theory about how the islanders interacted with their environment, and what caused their eventual decline. In their book, The Statues That Walked: Unraveling the Mystery of Easter Island, they take their insight as the basis for a new view of cultural evolution in the Southeastern Pacific: rather than a symbol of reckless environmental destruction, the Easter Island statues are a testament to human innovation and creative use of the environment. Hunt and Lipo argue that the islanders were actually inventive ‘users’ of their island’s resources, and adept at maximizing its agricultural capacities. Rather than a dangerous, self-destructive obsession, the statues were in fact instrumental to a culture of sustainability. The eventual demise of the Easter Island population was caused by a confluence of complicated factors, with an important role played by European conquerors and the foreign pests and diseases they brought with them. Easter Island still serves as an object lesson – but now of the complex and globally interwoven dynamics of cultural and ecological change.

Terry Hunt and Carl Lipo discuss their findings and the lessons we might learn from the fate of Rapa Nui on January 17th at the Cowell Theatre. You can reserve tickets, get directions, and sign up for the podcast on the Seminar page.

This entry was posted on Tuesday, January 8th, 02013 at 9:40 am and is filed under Events, Seminars.

Peter Warshall Seminar Primer

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Wednesday November 28, 02012 at the Cowell Theater, San Francisco

 

Peter Warshall’s work is aimed at helping people understand the cultural and ecological systems in which they’re embedded. He studied biology at Harvard, anthropology under Claude Lévi-Strauss, and has worked in communities and companies the world over, consulting on conservation and helping build consensus among groups with diverse and often conflicting environmental needs.

He was an editor and contributor to the Whole Earth Review, where he often expressed his deep understanding of ecology and human nature through poetic, interdisciplinary essays. In 1998, he offered a brief exploration of the similarities between painting and ecology, discussing, for example, trends in composition and color and how they relate to the analysis of ecosystems:

Henri Matisse (in his cutout phase), Gustav Klimt, and Paul Klee experimented tirelessly with configurations of patches of color: different sizes, the shape of each patch, the orientation of “floating” patches with the canvas’s straight edges and with other patches inside the artwork’s boundaries. Landscape ecologists similarly ponder patches such as beaver ponds in a watershed or forest groves dotted among evenly textured farmlands. The “right” configuration can bring harmony to either canvas or landscape. To conservation biologists, for instance, the size and shape of a patch of forest may mean the difference between protection of a rare warbler’s home or nest parasitism by cowbirds. Informed intuition serves both painters and naturalists well.

- Art as Landscape/Landscape as Art

To bolster one’s informed intuition about place, he offers a quiz that Kevin Kelly once declared a Cool Tool. It starts with a simple declaration to “Point North,” and concludes by asking if you can “Name two places on different continents that have similar sunshine/rainfall/wind and temperature patterns to here.”

Warshall leads us on a journey from inside our brains out into nature and on up to the Sun on November 28th at the Cowell Theater. You can reserve tickets, get directions and sign up for the podcast on the Seminar page.

This entry was posted on Tuesday, November 13th, 02012 at 11:32 am and is filed under Long Now Announcements, Seminars.